Item:Q34016: verschil tussen versies
Verklaring aangemaakt: beschrijving (P113): Typical for Imari porcelain, named after its place of distribution near the Arita factories, were its asymmetrical compositions painted in underglaze blue, iron-red and gold. These new wares were an immediate success in the Netherlands where consumers were familiar with only the blue and white porcelains. Although initially quite expensive, Imari porcelain began to be imported in sufficient quantities that it soon dominated the market and create... |
Verklaring aangemaakt: beschrijving (P113): The production of Imari-style decorated earthenwares in Delft began at the turn of the seventeenth to eighteenth century, reaching its zenith in the 1720s and 1730s. The present pair of tankards is a fine example of the combination of a typical European shape with the fashionable exotic designs.Similar example:A silver-gilt-mounted tankard of similar form and decoration, including the bird perched on a branch with two chrysanthemum flowers, in t... |
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| eigenschap / beschrijving | |||
The production of Imari-style decorated earthenwares in Delft began at the turn of the seventeenth to eighteenth century, reaching its zenith in the 1720s and 1730s. The present pair of tankards is a fine example of the combination of a typical European shape with the fashionable exotic designs.Similar example:A silver-gilt-mounted tankard of similar form and decoration, including the bird perched on a branch with two chrysanthemum flowers, in the Museum für angewandte Kunst, Vienna, is illustrated in Lunsingh Scheurleer 1984, p. 230, ill. 131. (Engels) | |||
| eigenschap / beschrijving: The production of Imari-style decorated earthenwares in Delft began at the turn of the seventeenth to eighteenth century, reaching its zenith in the 1720s and 1730s. The present pair of tankards is a fine example of the combination of a typical European shape with the fashionable exotic designs.Similar example:A silver-gilt-mounted tankard of similar form and decoration, including the bird perched on a branch with two chrysanthemum flowers, in the Museum für angewandte Kunst, Vienna, is illustrated in Lunsingh Scheurleer 1984, p. 230, ill. 131. (Engels) / rang | |||
Normale rang | |||